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Explanation in Chronicles of Western Europe in the Twelfth and Thirteenth Centuries by Kaitlin Heller A Thesis submitted in conformity with the requirements for the Degree of Doctor of Philosophy, Graduate Department of History, in the University of Toronto © Copyright by Kaitlin Heller 2017 Abstract Explanation in Chronicles of Western Europe in the Twelfth and Thirteenth Centuries Kaitlin Heller Degree of Doctor of Philosophy, 2017 Graduate Department of History University of Toronto This dissertation examines the way historical writing was structured in Latin and Old French works of the late twelfth and early thirteenth centuries in Europe. Through comparative analysis of the Genesis section of Peter Comestor's Historia Scholastica with two later historical works, the Otia Imperialia of Gervase of Tilbury and the Histoire ancienne jusqu’à César, now attributed to Wauchier de Denain, this thesis argues that Comestor’s explanatory mechanisms influenced these later works in their treatment of supernatural events, their organization of historical narrative, and their descriptions of the natural world. Peter Comestor’s writing in the Historia Scholastica evinces three major goals: to preserve a continuous, seamless river of time, in which past and present are mutually intelligible and laid out in a clear order; to describe accurately a whole and seamless world, in which biblical events can be both mapped onto the known landscape of Comestor’s day and understood through the sciences of that time; and to create a seamless text, with no gaps or confusing passages. Both Wauchier de Denain and Gervase of Tilbury incorporate the content as well as the form of the Historia Scholastica, a fact which holds generic implications for these ii texts. The Historia’s structural adaptability made it useful to these two writers, and, I argue, may have been the cause of its popularity amongst other lay writers of history. Comestor’s work provided a template for connecting the meaning of stories and experiences with the meaning of history, and offered a means by which historical narratives could accommodate new connections to the present day. I argue that the structure of the Historia Scholastica, the material from which it drew its explanations, and its methods of explanation made it acceptable for later writers to imitate its structure and sources, and therefore made it possible and sensible for them to include material which we would not now categorize as proper to the historical genre: stories of contemporary experiences, folkloric material, and wonder tales. iii Acknowledgments It truly does take a village to write a thesis. If I have forgotten here to thank anyone who helped me along the way, it is by reason of a poor memory and a great quantity of helpers, not a lack of gratitude. My supervisor, Joe Goering, has been an invaluable guide during the process of my growth as a scholar. Were it not for his admonitions to “waste time” in the library, I would never have made half the discoveries that proved essential to this dissertation, nor would I have learned to be patient with myself as a researcher. My co-supervisor Isabelle Cochelin’s feedback was fundamental to this thesis, both in its shape and its argument, in matters great and small. Her watchful eye has sharpened my own analysis of my work. My co-supervisor Suzanne Akbari’s advice not only on academic matters, but para-academic tasks and processes, was of inestimable value as I developed a writing process. Her guidance has reshaped my work practices greatly. Other professors at the University of Toronto and elsewhere have provided support, instruction, advice, and a sense of community without which I would have been in dire straits indeed. I would especially like to thank Ken Bartlett, Liza Blake, Alexandra Bolintineanu, Caroline Walker Bynum, Paul Cohen, Leah DeVun, Greti Dinkova-Bruun, Nick Everett, Jennifer Harris, Russell Kazal, Will Robins, Bert Roest, Chester Scoville, Nick Terpstra, and David Townsend. I must also add my immense gratitude to Betsy Mitchell, former Editor in Chief of Del Rey Books, who wrote a letter supporting my application for the Vanier. iv
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